Aryana Libris - Tag - Kung FuRecension d'ouvrages au format numérique PDF2024-03-27T00:19:02+00:00urn:md5:a0ee72454095f037bdb86f20b0b6b82bDotclearWu Jiaming - 72 consummate arts secrets of the Shaolin templeurn:md5:ce65b4f9e8af9837859b4941edce09b02020-10-16T21:32:00+01:002020-10-16T20:35:32+01:00balderWu JiamingArts MartiauxKung Fu <p><img src="https://aryanalibris.com/public/img4/Wu_Jiaming_-_72_consummate_arts_secrets_of_the_Shaolin_temple.jpg" alt="" /><br />
Author : <strong>Wu Jiaming</strong><br />
Title : <strong>72 consummate arts secrets of the Shaolin temple</strong><br />
Year : 1992<br />
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Translator's Note. As the Chinese Martial Arts , especially Shaolin Wushu, are seldom interpreted into English, I even got none hope reference except the thin book "English-Chinese&. Chinese-English Wushu Glossary". I cannot absolutely guarantee the accuracy of my translation. The most I can do is to assure the readers that my renderings are reasonable attempts. And the translations of the Book were sent to be vetted by my dear teacher Yang Yinrong, who gave me much help. If these renderings contain some errors or mistakes that bring smiles to the lips of English-speaking people, I hope there will be smiles of compassion. Translator : Rou Gang. Fuzhou Customs, Winter 1990. <strong>...</strong></p>Yuanyi Mao - Ancient art of chinese long straight swordurn:md5:d92634ab2a39e9b106254bdc3f9edc352020-07-08T15:46:00+01:002020-07-08T14:54:50+01:00balderYuanyi MaoArts MartiauxKung Fu <p><img src="https://aryanalibris.com/public/img4/Yuanyi_Mao_-_Ancient_art_of_chinese_long_straight_sword.jpg" alt="" /><br />
Author : <strong>Yuanyi Mao</strong><br />
Title : <strong>Ancient art of chinese long straight sword</strong><br />
Year : *<br />
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Translation & interpretation of a 400 years old martial arts manual. <strong>...</strong></p>Jiguang Qi - Yuanyi Mao - The chinese shield and wolf-brushurn:md5:47d3709f31bdaec71e4de5551dc1a95c2020-07-08T14:38:00+01:002020-07-08T13:42:27+01:00balderJiguang QiArts MartiauxKung Fu <p><img src="https://aryanalibris.com/public/img4/Jiguang_Qi_-_Yuanyi_Mao_-_The_chinese_shield_and_wolf-brush.jpg" alt="" /><br />
Authors : <strong>Jiguang Qi - Yuanyi Mao</strong><br />
Title : <strong>The chinese shield and wolf-brush</strong><br />
Year : 2010<br />
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About this book. This book covers the combat use of the: - Shield, in combination with the Sword and Javelin - Wolf-Brush, in cooperation with the Shield as 2 very important defensive tools in ancient Chinese warfare. This book consists of only the “Shield” and “Wolf-Brush” chapters translated from two ancient Chinese warfare manuals: 1. (Ji Xiao Xin Shu) New Book of Military Efficiency by (General Qi Ji-guang) 2. (Wu Bei Zhi) Military Preparation Manual by (Mao Yuan Yi). Both manuals share identical “Shield” and “Wolf-Brush” stances. In this book, the drawings of 8 Shield stances are from “Wu Bei Zhi”, while the pictures of the shield and javelin are from “Ji Xiao Xin Shu”, and the drawings of the 6 “Wolf-Brush” stances are from “Ji Xiao Xin Shu”. <strong>...</strong></p>Jiguang Qi - Yuanyi Mao - Essentials of the fisturn:md5:b546bf2ab779fd225b2804145807a47f2020-07-08T14:30:00+01:002020-07-08T13:36:44+01:00balderJiguang QiArts MartiauxKung Fu <p><img src="https://aryanalibris.com/public/img4/Jiguang_Qi_-_Yuanyi_Mao_-_Essentials_of_the_fist.jpg" alt="" /><br />
Authors : <strong>Jiguang Qi - Yuanyi Mao</strong><br />
Title : <strong>Essentials of the fist</strong><br />
Year : 2016<br />
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About this book. This book consists of the “Fist” (empty-handed combat) chapters translated from two ancient Chinese warfare manuals: 1. (Ji Xiao Xin Shu) New Book of Military Efficiency by (General Qi Ji-guang) 2. (Wu Bei Zhi) Military Preparation Manual by (Mao Yuan Yi). There are a total of 32 stances here. Wu Bei Zhi has all 32 stances, but Ji Xiao Xin Shu only has 24 stances. Yet in the text, Ji Xiao Xin Shu states that there are 32 stances. Perhaps these stances are lost? I recover the missing stances from Wu Bei Zhi, and these will be indicated as such. The stances are all described in a more poetic manner, which is good and bad. Good, because it means the writings are less focused on specific movements, but rather on principles. Bad, because it becomes difficult to translate and there can be many different interpretations. <strong>...</strong></p>Chow David - Spangler Richard - Kung Fuurn:md5:c9ae50fe264241eaee1d474c4730db2c2020-07-08T13:06:00+01:002020-07-08T12:27:19+01:00balderChow DavidArts MartiauxKung Fu <p><img src="https://aryanalibris.com/public/img4/Chow_David_-_Spangler_Richard_-_Kung_Fu.jpg" alt="" /><br />
Authors : <strong>Chow David - Spangler Richard C.</strong><br />
Title : <strong>Kung Fu</strong><br />
Year : 1977<br />
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History, Philosophy and Technique. Extract. <strong>...</strong></p>Jing Zhong Jin - Shaolin qi shi er yi lian faurn:md5:91dabdd1313af727e27cad603f553cbb2020-05-30T18:12:00+01:002020-05-30T17:18:23+01:00balderJing Zhong JinArts MartiauxKung Fu <p><img src="https://aryanalibris.com/public/img4/Jing_Zhong_Jin_-_Shaolin_qi_shi_er_yi_lian_fa.jpg" alt="" /><br />
Auteur : <strong>Jing Zhong Jin</strong><br />
Ouvrage : <strong>Shaolin qi shi er yi lian fa</strong><br />
Année : 1934<br />
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Les 72 techniques d’entraînement de Shaolin. - The training methods of 72 arts of Shaolin. Ce livre est paru en Chine pour la première fois en 1934. Il se compose de six parties différentes, traitant de différents aspects du kung-fu et des arts martiaux chinois, dont notamment : - 72 techniques d’entraînements : fortification et renforcement des diverses parties du corps, exercice de frappes, mais aussi de déplacements : « courir à la verticale » sur les murs, faire des sauts prodigieux, marcher furtivement sans laisser de trace derrière soi (chin kung / qing gong, le « Kung-fu de la légèreté » / « Kung-fu of lightness » / « Light skill » / « Light body kung-fu ») - Localisations et frappes des points vitaux traditionnels (dian xue / tien hsueh, que l’on nomme aussi « dim mak », ou encore « kyûsho-jutsu » au japon. - Techniques d’action sur la structure osseuse : yu gu, à rapprocher du « koppôjutsu » japonais. - Techniques de chin na / qin na : saisies, clés, etc. <strong>...</strong></p>Jing Zhong Jin - Training methods of 72 arts of Shaolinurn:md5:066351ca0a400203a3c887cc48fcb2b72020-05-28T20:05:00+01:002020-05-28T19:08:21+01:00balderJing Zhong JinArts MartiauxKung Fu <p><img src="https://aryanalibris.com/public/img4/Jing_Zhong_Jin_-_Training_methods_of_72_arts_of_Shaolin.jpg" alt="" /><br />
Author : <strong>Jing Zhong Jin</strong><br />
Title : <strong>Training methods of 72 arts of Shaolin</strong><br />
Year : 1934<br />
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Author’s preface. I have no inclination to civil branches of science, I was always attracted by military path. In my childhood I often played war, attacked and took defense. When I read some war stories, I forgot about everything. Clothed in black, wearing highboots, with a wooden sword on my back, I sat astride on a wooden bench and imagined that I was galloping on a horse back toward some noble feats. It was none other than manifestation of my nature. My ancestors were well-known people, they passed their Mastership from generation to generation, but after the decline of the monarchy* they gradually started to depart from this tradition. My ancestors realized that my nature was open to the Martial Arts, therefore they started to teach me in acrobatics and combat technique of Shaolin. When I grew up, I became a disciple of tutor Zhu Guan Peng who taught me the ancient style Tan Tui (“Kicking”) and the technique of joint dislocation. Tutor Zhu knew this method very well. <strong>...</strong></p>Jing Zhong Jin - Authentic Shaolin heritage Dian Xue Shu Dim Mak Skill of acting on acupointsurn:md5:71f2ec9ac3cf7ff239c8633ebaaa44032020-05-28T18:41:00+01:002020-05-28T19:07:19+01:00balderJing Zhong JinArts MartiauxKung Fu <p><img src="https://aryanalibris.com/public/img4/Jing_Zhong_Jin_-_Authentic_Shaolin_heritage_Dian_Xue_Shu_Dim_Mak_Skill_of_acting_on_acupoints.jpg" alt="" /><br />
Author : <strong>Jing Zhong Jin</strong><br />
Title : <strong>Authentic Shaolin heritage Dian Xue Shu Dim Mak Skill of acting on acupoints</strong><br />
Year : 1934<br />
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The book was written in 1934 with blessing and direct participation of the Head of the Shaolin Monastery Reverend Miao Xing. <strong>...</strong></p>Nerlich Andrew - The History and Philosophy of Wing Chun Kung Fuurn:md5:736a847834602b681d0e969dee0b84ea2012-07-30T15:18:00+01:002023-05-02T00:32:09+01:00balderNerlich AndrewArts MartiauxKung Fu <p><img src="https://aryanalibris.com/public/img3/Nerlich_Andrew_-_The_History_and_Philosophy_of_Wing_Chun_Kung_Fu.jpg" alt="" /><br />
Author : <strong>Nerlich Andrew</strong><br />
Title : <strong>The History and Philosophy of Wing Chun Kung Fu</strong><br />
Year : 2004<br />
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In the Beginning... The deep nature of our own species, and those that preceded us in evolution, includes competition, violence, and killing. Prehistoric men no doubt fought one another for dominance, food, mating rights, and survival. The dawn of a structured or scientific approach to fighting no doubt occurred with the first primitive man to pick up a stick with which to strike an enemy or prey. Conflict and warfare form pivotal events in human history. Arguably, many ancient rituals, sports and ceremonies are reenactments of battles in one form or another. The Olympic Games held by the ancient Greeks were regarded as a religious festival, during which war was suspended. The Epic of Gilgamesh, written down in about the eighteenth century B.C. in Mesopotamia, one of the earliest centres of civilisation, shows that most weapons of war had been invented by then, the major exception being explosives, which were to be invented by the Chinese almost 2800 years later. Gilgamesh, a hero of Uruk in Babylonia, fought with axe, sword, bow and arrow, and spear. His contemporaries used battering rams against enemy cities, and rode to battle in chariots. The concept of a martial art or science of combat no doubt developed along with civilisation. Organised warfare required trained and disciplined soldiers, and generals and instructors to command and train them. The earliest accepted evidence of a martial art exists in two small Babylonian works of art dating back to between 2000 and 3000 B.C., each showing two men in postures of combat. Whilst there is almost no other evidence to support the hypothesis that martial arts originated in Babylonia and Mesopotamia, and were carried eastward to India and China, there is evidence that trade took place between the Harappa culture of Northern India and the Mesopotamians as early as 2500 B.C. Also, there is evidence that a particular design of bronze axe was in use over a vast area including parts of Europe and China around 1300 B.C. There is also evidence that the performances of acrobats from India and the eastern Mediterranean regions were enjoyed by the Chinese. The martial arts and performing arts have had a long tradition of association in the East, mirroring the similarity between the movements of acrobats and martial artists. While the case for the origin of martial arts in Mesopotamia is speculative, there is no doubt that they first appeared in the East in a primitive form, and it was in India and China that their development into the intricate and sophisticated systems of recent times took place. Martial Arts in China The development of martial arts in China is inextricably linked with the development of Chinese medicine, and of the major religious and philosophical systems which underpin all aspects of life in historical China. The martial and healing arts have always had a close relationship, of necessity when the wounds resulting from combat required healing, and in the use of medical knowledge to develop more effective targeting and striking techniques. Martial arts through the ages were practiced as much for health and longevity as they were for aggression and defence, and indeed the Shaolin arts were based on movements originally developed for health reasons. Nearly five thousand years ago, the three legendary emperors laid the ground work for a nationalised system of Chinese medicine for the populace. Emperor Fu Hsi first proposed such a system; Emperor Shun Nung developed a classification of herbs for use in healing; and Huang-Ti, the Yellow Emperor, sent healers out to care for the people. The "Yellow Emperor's Classic of Internal Medicine" a book on the principles of Chinese medicine, attributed to Huang-Ti but more likely written by others much later, is still regarded as a standard text by many contemporary schools of acupuncture and Oriental healing. Around this time, mention is made of a form of ritualised wrestling called Go-Ti, in which two men wore horns on their heads and attempted to gore each other. The sport became popular, and spread throughout the land, and was passed down through generations. Go-Ti is performed today, with less blood spilled, traditionally at festivals in Honan and Manchuria. It is theorised also that Go-Ti was exported to Japan during the Tang Dynasty (610-907 AD), and evolved into the modern sport of Sumo; this would be the earliest documented export of Chinese martial arts. The originators of the great Chinese philosophies all lived around the same time. Lao Tzu, the developer of Taoism, was born in Honan around 604 BC. Confucius was born around 550 BC, and the Buddha around 506 BC. <strong>...</strong></p>Johnson Jerry Alan - Pa Kua Chuang Chi Kung niveau 3urn:md5:b259c90901fc6076cffd93c16ca4465e2012-01-09T13:46:00+00:002019-12-22T02:41:15+00:00balderJohnson Jerry AlanArts MartiauxKung Fu <p><img src="https://aryanalibris.com/public/img5/Johnson_Jerry_Alan_-_Pa_Kua_Chuang_Chi_Kung_niveau_3.jpg" alt="" /><br />
Auteur : <strong>Johnson Jerry Alan</strong><br />
Ouvrage : <strong>Pa Kua Chuang Chi Kung niveau 3 Ching Lung Martial Arts Association</strong><br />
Année : 1988<br />
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Introduction au Niveau 3. Bienvenue dans le Niveau 3 !! C'est un niveau important car il constitue la fin de votre première étape d'entraînement : "réguler le système endocrinien", et le début de la deuxième étape : "transformer le ch'i en puissance". Ce niveau devrait vous prendre plus de temps que les deux premiers niveaux. Vous vous attacherez à étendre votre ch'i wei vers l'extérieur du corps, pour créer ce que nous appelons une "bulle d'énergie" autour du corps. Ceci nécessitera du temps et beaucoup de pratique de votre part, mais il est obligatoire que vous possédiez cette compétence avant d'aborder le niveau 4. Grâce aux exercices du second niveau, vous devriez être en état non seulement de ressentir le flux de ch'i à travers le corps, mais aussi de le diriger avec votre mental. De plus, vous devriez être progressivement en train d'augmenter votre perception de ce flux de ch'i, à tel point que vous pouvez non seulement le reconnaître dans votre corps, mais aussi savoir par quel méridien cette énergie circule. Vous devez atteindre le stade où vous pouvez délibérément remplir l'un de vos méridiens ou canaux d'énergie. Il faut que vous soyez sensible à ce qui arrive à votre corps - la connaissance de soi en est un principe fondamental. Dans ce niveau vous allez apprendre à vous sensibiliser à ce qui se passe à l'intérieur de votre corps, puis commencer à développer une sensibilité pour ce qui se passe à l'extérieur. Dans le niveau 4 vous commencerez à vous entraîner à devenir réceptif à ce qui se passe autour du corps des autres personnes, puis à augmenter cette réceptivité de façon à pouvoir savoir ce qui se passe à l'intérieur du corps des autres personnes et à l'intérieur de leur pensée. Certaines des méditations contenues dans ce cours sont longues et impliquent un système d'images complexe. Il sera bon que vous vous enregistriez tout au long de la méditation sur une cassette audio et que vous l'écoutiez au cours de la méditation. De plus, les informations contenues dans la section du premier niveau, section intitulée "Croissance Mentale, Physique et Spirituelle", seront d'une importance capitale quand vous pratiquerez le Kung Fu Séminal. <strong>...</strong></p>